Chapter 1 - Out of Home Digital Media Applications
06 Out of Home Digital Media – An overview of applications and infrastructure
08 Out of Home Digital Media: More Like TV or the Internet?
09 Digital Signage for Ground Transportation, by Jeff Collard, Omnivex
10 The nose knows! When Sight and Sound Are Not Enough… Interview with Luc Heijnen, Troades
11 Good Internal Communication Gets Even Better! – Interview with Adam Lloyd, Ericsson
12 Massive Screen Roll-out Completed for La Poste – Interview with Laurence Roux, La Poste
14 Now You Hear It… Now You Don’t! – Interview with Fredrik Larsson, ICA
15 First Mall to go “All Digital” New Westfield London partners with CBS Outdoor with Spectacular Effect – Interview with Nicky Cheshire, CBS Outdoors and Fiona Kyle, Westfield London
16 Helping advertisers to reach their target-group – Interview with George Tsintzilonis, Intelligent Media Ltd
17 Creating the “Interactive Soccer Entertainment Programme” – Interview with Enrico Pruis, Stadium Impact
18 CYFRA+ leads digital signage at points of sale in Poland with Cayin solution – Cayin Case Study
19 Using Quality as a Differentiator– Interview with Sven Jacobi, Neo Advertising Germany

Chapter 2 - Market Data, Analysis

22 Outlook for Digital Signage and Larger Size Commercial Flat-Panel Displays Remains Bullish in 2009-2010 – Chris Connery of Displaysearch
23 Supply & Demand for Digital Signage – Bob Raikes, Meko Ltd
24 Is The 70% Rule True? – Steven K Platt, Platt Retail Institute
25 Digital signage ad revenues set to quadruple by 2012 - Goldmedia GmbH Media Consulting & Research
26 Media Econometric Forecast Highlights Global Spending Phenomenon – Interview with Patrick Quinn, PQ Media
27 OVAB Europe: Offering More Than Just Standards – Interview with Dirk Hülsermann, OVAB Europe

Chapter 3 - Managing a project
30 Now what? How to proceed with a digital signage installation
31 Business Models
32 Creating Content Getting it Right Upstream is Key to a Project’s Success!
34 POPAIdigital Guide “Opens the Floodgates” for New Media in Retail – Popai UK

Chapter 4 - Technical Components

36 Summary of technical components
37  Installing Digital Signage Systems Properly - Black Box White Paper
38 The Window to the Digital Universe Display Devices – The Screen To Fit the Situation
40 What should I use to play  the content on-site?
41 Sound Ideas Why Sound is Important, How to Use it?

Chapter 5 - Directory of Key Players & Focus on Solutions
45 Bluefox
46 C-nario
47 Cayin
48 Cisco
49 Dagobert
50 Ds Digital Screens
52 Hyundai
53 Infotraffic
55 Net Display Systems
56 Omnivex
58 Panphonics
59 Roku
60 Scala
62 Winmate
64 Events Calendar

by Richard Barnes
Editor-in-Chief

All things are relative. The current world economic crisis is no exception, because as in all periods of turbulence, some come out a lot better than others. The Out of Home Digital Media Market is an exception, as while not totally immune to the current bug, it is still getting along quite well, as readers will be interested to learn in our market data and analysis section...

Laurence Roux

Program Director
La Poste

Under the policy of modernising its network, the French postal service La Poste decided in November 2006 to launch a European tender for the creation of an Out of Home Digital Media network as a communication tool for point of sales and customer relations. Post offices were to be equipped with 40-inch LCD screens for the task. By late October 2008, the project was finally completed, with 1,500 post offices equipped with a total of 2,200 screens. La Poste thus becomes the most "seen" out of home network in Europe with a total audience of 4.4 million customers a week! Laurence Roux, Program Director at La Poste, says early reports on the success of the project are very encouraging…


IPSOS Media conducted a study for us in March 2008, through 370 customer interviews on their thoughts on the new network. 76% of customers felt that the post office was closer to their concerns since the implementation of the network and thanks to programmes broadcast on the screens 82% of customers found the waiting times less long. This shows that we have achieved our primary objectives.

You also wanted better information on products and services sold in the post offices...
The results are, again, rather encouraging. According to the same study, 74% of customers said they were better informed about the offers of the post office and 58% of customers say that the programmes gave them a better idea of the products and services offered. The digital signage network is a complementary tool to our print campaigns (flyers and posters), which is an invaluable tool in business relationships for our customer service agents. It also allows more flexibility and reactivity: Ten days are enough to prepare the audiovisual media and distribute it on our entire network.

You hoped that this communication network could trigger “spontaneous” purchases - particularly with regard to new products sold in post offices (check cards, gift boxes, telephone, etc..) – to boost sales. Have you been able to measure the changes at this level?
We are putting tools in place to measure the impact on sales and first results are quite promising. To do this, we took two groups of offices - one with screens installed and the other without - and we took measurements at each office. Furthermore, we started an audience measurement survey with Médiamétrie. We have equipped nine outlets with cameras, which over 2 months, will count all the eyes that look at the screens. At the end of this test, we may decide to equip a more offices with this measurement system.



How has the digital signage system been received by the staff?
In March 2008, an Ipsos Media study was also conducted with 166 employees of the Post Office. Acceptance of the system is, again, very good. 86% of employees found the device interesting, 57% believe that there were fewer incivility incidents in their post office since the inception of the system and 61% are convinced that it helps them in their duties. We initially had some concerns about their acceptance of the deployment. Sound is an integral part of the project because its impact is not negligible. The Ipsos Media study revealed significant differences between offices with sound and without. For example, 54% of customers in the sound-equipped offices agreed that this new medium made the post office more user-friendly, while only 36% thought so for offices with no sound. In general, the results of the study determined that customers’ perception is better "with the sound" and the gap is around 20%. Our programmes are designed to meet the specific technical and editorial media specifications of OOH and are therefore understandable without sound thanks to an enhanced system that embellishes the images with titles, subtitles and embedded texts.

Your network is the result of very early reflection on an ambitious original and varied content policy. What does this mean today in terms of editorial strategy and programme scheduling?
We wanted to make a real branded TV channel with 30 to 40% of programmes at La Poste devoted to the promotion of products and services or images of the company. The rest of the scheduling consists of programmes selected to be consistent with the values of La Poste - divided into 4 main areas: entertainment, discovery, proximity and service, and sustainable development.

Part of your programming is devoted to advertising. How have the results been perceived by the advertisers?
Today, 1,500 post offices are equipped with screens that have about 800,000 customers exposed to them daily. We are editorially and technically ready to accommodate advertisers, but we are voluntarily limiting the advertising load (about an average of 4 per week) to enhance their presence on our media. Our system is reliable. Thus, many of our traditional partners such as UNICEF or Western Union are already using it.

Regarding the technical aspect of the devices, which were the main criteria for selection of the current solution?
First, we wanted to have a "plug and play" for each post office… a screen with an integrated player simply connecting to the existing network by a single Ethernet cable and an RJ 45 connector. This allowed us to limit and control the costs of installation and maintenance. On the other hand we wanted to distribute content through the network of La Poste, both for security and economic reasons. We selected Sony, both for their 40’ LCDs as well as their players, software programming, and transfer programs (Ziris). The supervision software allows us to monitor the screen, but also trigger, if necessary, remote or on site maintenance and to know the result of transfers and narrowcasting statistics.



 
Copyright © 2005 Cleverdis SARL. All rights reserved. Do not duplicate or redistribute in any form without prior consent.
Privacy    |    Policy Trademarks    |    Code Credits    |    Contact Us