Interview with Patrick Goubet

The Modern Problematic of Interior Designers - Interview with Maryam Shams-Molkara

Evolving Viewpoint - Interview with Raphaël Pinot

Special Dossier: The Bound - Interview with Raymond Visan

Gallery – Extracts

Private National Collections

Digital Sculpture

Conclusion by Gérard Lefebvre

by Richard Barnes,
Editor in Chief

We are particularly proud to have been chosen to undertake this SPECIALreport which is the first to deal professionally with the field of Digital Art, destined for both professional and private environments…

RAYMOND VISAN

Bound creator

Raymond Visan was born in 1950 at Boulogne-Billancourt in France from Romanian political refugee parents. After his studies, with an entrepreneurial spirit, Visan developed the very first Duty Free watch and jewellery boutiques in France. In 1981, thanks to his talents in terms of creative stage setting, combined with savvy international negotiation, 500,000 visitors flocked to an exhibition on the first emperor of China he organised at the Printemps in Paris using seven pieces lent especially for the occasional by the Chinese government, belonging to the Chinese national patrimony. Visan went on to create his own perfume line before launching a 50’s US style restaurant chain, which later became a successful franchise operation. In 1995, he innovated with “B*Fly”. This luxurious restaurant concept was based on musical ambience assured by a live DJ, and met with immediate success. Carried by a wave of public infatuation with the idea, the following year he launched the legendary Buddha-Bar, whose fame has since carried the name around the world, with establishments in Las Vegas, Sharm El Sheikh, Beirut, Dubai and New York. The musical concept of the Buddha Bar became so successful that in 2000 Raymond Visan enlarged the group by launching George V Records, promoting what has since become known as “Designer Music”. Will “Designer Digital Art” become the next step? Only time will tell!

How did you discover the work of Patrick Goubet?

I found him at a hotel exhibition in Paris. I saw his work on a Panasonic screen there. It’s true I was looking for somebody who could create something that was fixed but that would change... but not like a video. I am against video in a restaurant. I think it’s better to have something like a painting or a photo ... to have something that changes but that you don’t see straight away.

What is the feedback from the customers?

Everybody really loves it. People are curious and they look, and they really love it.

Do you have a vision for the future of digital art?

I think it’s something for the future, definitely... to have a kind of digital painting that can move in a very special way ... not to be static like a normal painting.

What advice would you give people that would be thinking about this kind of addition to restaurants or bars? Is it particularly well adapted to restaurants and bars?

Yes, definitely. I think a TV screen in a restaurant with something moving all the time is the worst thing you can put in a restaurant because you are always looking at the screen and not the people who are with you. It’s the worst thing! I have always been against TV screens. Digital Art answers to this problematic.


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